Browsing by Author "Campbell, Ian"

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Open Access
Celebration Of Authorship Program 2021-2022
(University of Regina Library, 2022) Abbott, Sarah; Afolabi, Taiwo; Ashton, Emily; Bliss, Stacey; Bonner, William; Bradley, Crista; Brigham, Mark; Campbell, Ian; Campbell, Lori; Carter, Heather; Chadwick, Sydney; Chiefcalf, April; Clarke, Paul; Cliveti, Monica; Clune, Laurie; Demers, Jason; Donovan, Darcy; Eisler, Dale; Eaton, Emily; Elliott, Patricia; Enoch, Simon; French, Lindsey; Gacek, James; Gardiner, Christopher Campbell; Berard-Gardiner, Shannon; Gebhard, Amanda; Grahame, Ann; Han, Yu (Jade); Hanson, Cindy; Hart, Mel; Hu, Shuchen; Hurlbert, Margot; Isiaka, Abiodun; Jaffe, Joann; King, Alex; Koops, Sheena; Kossick, Don; Long, Timothy; Maeers, Esther; Mair, Leslea; Mathes, Carmen Faye; Munro, Emelia; Naytowhow, Joseph; Phillips, Kaetlyn; Polster, Claire; Quark, Amy; Ramsay, Christine; Ricketts, Kathryn; Rasmussen, Ken; Reul, Barbara; Rennie, Morina; Rolli (Charles Anderson); Ruddy, Evie Johnny; Russell, Gale; Sardarli, Arzu; Saul, Gerald; Sawatzky, Katie Doke; Sellers, Cora; Snider, Amy; Stadnichuk, Cheryl; Stevens, Andrew; Stratton, Florence; Swan, Ida; Tomesh, Trevor; Trussler, Michael; Vélez, Maria; Wilson, Ken
For the first time in three years, we are thrilled to be again gathering in person to celebrate the published scholarly and creative work of our University of Regina community. Archer Library is proud to unveil the 2021-22 University of Regina Celebration of Authorship Program booklet. This downloadable publication highlights University of Regina authors/creators of books, edited proceedings, sound recordings, musical scores and film or video recordings published over the last year in any format (print or electronic). We encourage you to take a moment to view the program booklet and extend your congratulations to all of the University of Regina students, faculty, staff, and alumni who are being celebrated this year.
Open Access
Engagement Paper for the Animated Film MASK
(Faculty of Graduate Studies and Research, University of Regina, 2019-02) Zhang, Xincheng; Saul, Gerald; Campbell, Ian; Mather, Philippe; Gehman, Christopher
Mask is a stop motion animation film that aims to discuss the impact of emigration on the newcomer as a subject within established societies. The story takes place within an imagined setting, in which a mask is the only official signifier of one’s identity. However, the story still reflects my personal experience in terms of language proficiency and a newcomer’s adjustments to living in Canada. Because of the film’s allegorical characteristics, one of my expectations was to have a diversity of interpretations of the film depending on the viewers’ personal background and experience, rather than the meaning being derived just from my experiences as an international student. In other words, this film’s plot emphasizes a newcomer’s arrival into a strange environment, but how one interprets the environment and character’s suffering changes based on the viewer’s experience. As a result, this paper only provides one way to discuss Mask’s multicultural and postmodern features that takes it beyond the boundary of the real into fantasy. This paper will also discuss how the main character, Puppet, is suffering a transformation from having a fear of being an unmasked puppet to having self abjection toward its own body because of an imagined national myth. Moreover, this paper will elaborate on the production process with the use of the 3D printer and explain several artistic and creative decisions that shaped the animation throughout the production.