Browsing by Author "Demers, Jason"

Filter results by typing the first few letters
Now showing 1 - 4 of 4
  • Thumbnail Image
    ItemOpen Access
    Celebration Of Authorship Program 2018-2019
    (University of Regina Library, 2019) Arbuthnott, Shane; Archibald-Barber, Jesse Rae; Blake, Raymond; Bradley, Cara; Coupal, Michelle; Demers, Jason; Dubois, Brenda; Freddolini, Francesco; Gacek, James; Granovsky-Larsen, Simon; Gregory, david; Greifenhagen, Franz Volker; Hansen, Phillip; Hanson, Cindy; Harrison, Yvonne; Hébert, Cristyne; Melançon, Jérôme; Hillabold, Jean; Irwin, Kathleen; Levit, Tatiana; Montgomery, H. Monty; Nolan, Kathleen; Petry, Roger; Reul, Barbara; Stojanova, Christina; Whyte, John
  • Thumbnail Image
    ItemOpen Access
    Celebration Of Authorship Program 2021-2022
    (University of Regina Library, 2022) Abbott, Sarah; Afolabi, Taiwo; Ashton, Emily; Bliss, Stacey; Bonner, William; Bradley, Crista; Brigham, Mark; Campbell, Ian; Campbell, Lori; Carter, Heather; Chadwick, Sydney; Chiefcalf, April; Clarke, Paul; Cliveti, Monica; Clune, Laurie; Demers, Jason; Donovan, Darcy; Eisler, Dale; Eaton, Emily; Elliott, Patricia; Enoch, Simon; French, Lindsey; Gacek, James; Gardiner, Christopher Campbell; Berard-Gardiner, Shannon; Gebhard, Amanda; Grahame, Ann; Han, Yu (Jade); Hanson, Cindy; Hart, Mel; Hu, Shuchen; Hurlbert, Margot; Isiaka, Abiodun; Jaffe, Joann; King, Alex; Koops, Sheena; Kossick, Don; Long, Timothy; Maeers, Esther; Mair, Leslea; Mathes, Carmen Faye; Munro, Emelia; Naytowhow, Joseph; Phillips, Kaetlyn; Polster, Claire; Quark, Amy; Ramsay, Christine; Ricketts, Kathryn; Rasmussen, Ken; Reul, Barbara; Rennie, Morina; Rolli (Charles Anderson); Ruddy, Evie Johnny; Russell, Gale; Sardarli, Arzu; Saul, Gerald; Sawatzky, Katie Doke; Sellers, Cora; Snider, Amy; Stadnichuk, Cheryl; Stevens, Andrew; Stratton, Florence; Swan, Ida; Tomesh, Trevor; Trussler, Michael; Vélez, Maria; Wilson, Ken
    For the first time in three years, we are thrilled to be again gathering in person to celebrate the published scholarly and creative work of our University of Regina community. Archer Library is proud to unveil the 2021-22 University of Regina Celebration of Authorship Program booklet. This downloadable publication highlights University of Regina authors/creators of books, edited proceedings, sound recordings, musical scores and film or video recordings published over the last year in any format (print or electronic). We encourage you to take a moment to view the program booklet and extend your congratulations to all of the University of Regina students, faculty, staff, and alumni who are being celebrated this year.
  • Thumbnail Image
    ItemOpen Access
    “Pull Out His Eyes, Apologize”: Confession and the Body in James Joyce
    (Faculty of Graduate Studies and Research, University of Regina, 2021-05) Spencer, Katherine Abigail; DeCoste, Marcel; Trussler, Michael; Demers, Jason; Martin, Ann
    In this thesis, I trace the development of confession in James Joyce. From A Portrait of The Artist as a Young Man to “Circe” and “Penelope” in Ulysses, Joyce’s model of confession works to forward characters' capacity for community, intimacy, and art, an ethical and artistic approach to art. The framework for confession in Joyce is introduced via depictions of the Catholic Sacrament in A Portrait, albeit its function is maintained even as it develops in “Circe” as a secular, psychoanalytical, and legal expression. It is in “Penelope” where confession transforms into profession in Molly’s monologue and in the way it serves as a theory of art for Joyce. The body, its transgressive role in desire and sex, its private functions, and its inextricable capacity for both life and death, remains the site of guilt and shame for Joyce’s characters. Instead of a perpetual cycle of sin, self-reproach, and confession, Joyce offers an alternative in which an affirmation of the body and its functions, modelled by Molly, can alleviate the guilt that proves so debilitating for Bloom and Stephen. By transforming confession into profession, Joyces offers a promise of reconciliation: a potential homecoming for the exiled Stephen and Bloom, a restoration of intimacy and relationship for son, father, and husband, and, finally, the possibility of genuine creativity is offered. This reconciliation enables, in the end, a remedy for impotence, and, as typified by Molly’s monologue in “Penelope,” guiltless expressions of, and foundations for, intimacy and art.
  • Thumbnail Image
    ItemOpen Access
    University of Regina Community Authors 2018-2019
    (University of Regina Library, 2019) Arbuthnott, Shane; Archibald-Barber, Jesse Rae; Irwin, Kathleen; Blake, Raymond; Bradley, Cara; Coupal, Michelle; Demers, Jason; Dubois, Brenda; Freddolini, Francesco; Gachek, James; Granovsky-Larsen, Simon; Gregory, david; Greifenhagen, Franz Volker; Hansen, Phillip; Hanson, Cindy; Harrison, Yvonne; Hébert, Cristyne; Hillabold, Jean (pen name: Jean Roberta); Levit, Tatiana; Melançon, Jérôme; Montgomery, H. Monty; Nolan, Kathleen; Petry, Roger; Reul, Barbara; Stojanova, Christina; Whyte, John