Future nostalgia in the twenty-first century: Hauntology, hermeneutics, and historicity in contemporary popular music

dc.contributor.advisorMarsh, Charity
dc.contributor.advisorPiercey, Robert
dc.contributor.authorJedlic, Ringo Yossarian
dc.contributor.committeememberRamsay, Christine
dc.date.accessioned2024-11-08T20:25:14Z
dc.date.available2024-11-08T20:25:14Z
dc.date.issued2024-05
dc.descriptionA Thesis Submitted to the Faculty of Graduate Studies and Research In Partial Fulfillment of the Requirements for the Degree of Master of Arts in Interdisciplinary Studies, University of Regina. v, 91 p.
dc.description.abstractThis thesis offers a critical analysis and discussion of the philosophical and popular culture concept of hauntology and its application to popular music and theory of history, arguing that hauntology is limited in ways that make it unequipped for understanding popular music’s historicity as the form develops into the 2020s. Drawing on UK artist Dua Lipa’s 2020 album Future Nostalgia as a case study, the argument suggests that recent developments in music production and consumption challenge the hauntological understanding of pop’s historicity. It concludes that instead of looking at the historical in pop through the lens of hauntology, popular music’s relationship to historicity can be better understood through the framework of philosophical hermeneutics.
dc.description.authorstatusStudenten
dc.description.peerreviewyesen
dc.identifier.urihttps://hdl.handle.net/10294/16513
dc.language.isoenen
dc.publisherFaculty of Graduate Studies and Research, University of Reginaen
dc.titleFuture nostalgia in the twenty-first century: Hauntology, hermeneutics, and historicity in contemporary popular music
dc.typeThesisen
thesis.degree.departmentFaculty of Media, Art and Performance
thesis.degree.disciplineInterdisciplinary Studies
thesis.degree.grantorUniversity of Reginaen
thesis.degree.levelMaster'sen
thesis.degree.nameMaster of Arts (MA)
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