Affect, the fragment, and essayism: How to live the ellipsis
| dc.contributor.advisor | Trussler, Michael | |
| dc.contributor.author | Bindon, Shelley Diane | |
| dc.contributor.committeemember | Grande, Troni | |
| dc.contributor.committeemember | Schnell, Melanie | |
| dc.date.accessioned | 2024-11-08T20:40:11Z | |
| dc.date.available | 2024-11-08T20:40:11Z | |
| dc.date.issued | 2024-07 | |
| dc.description | A Thesis Submitted to the Faculty of Graduate Studies and Research In Partial Fulfillment of the Requirements for the Degree of Master of Arts in Creative Writing and English, University of Regina. vi, 128 p. | |
| dc.description.abstract | In this collection of creative non-fiction essays, the author reflects on some of the life experiences that have shaped her. This project is especially attentive to the socio-political context that queer individuals have navigated in Canada in recent decades and is influenced and inspired by the affect theory and writing methodology found in The Hundreds by Lauren Berlant and Kathleen Stewart. Additionally, Brian Dillon’s Essayism: On Form, Feeling, and Non-Fiction has been instrumental to this project. Keywords: literary non-fiction; essay; affect theory; fragment; essayism | |
| dc.description.authorstatus | Student | en |
| dc.description.peerreview | yes | en |
| dc.identifier.uri | https://hdl.handle.net/10294/16521 | |
| dc.language.iso | en | en |
| dc.publisher | Faculty of Graduate Studies and Research, University of Regina | en |
| dc.title | Affect, the fragment, and essayism: How to live the ellipsis | |
| dc.type | Thesis | en |
| thesis.degree.department | Department of English | |
| thesis.degree.discipline | Creative Writing and English | |
| thesis.degree.grantor | University of Regina | en |
| thesis.degree.level | Master's | en |
| thesis.degree.name | Master of Arts (MA) |