Self-Storying to (De)Construct Compulsory Heterosexuality: A Feminist Poststructural Autoethnography of a Self-Wedding Ritual

dc.contributor.advisorCarlson Berg, Laurie
dc.contributor.advisorJuschka, Darlene
dc.contributor.advisorJi, Xia
dc.contributor.authorBaldwin, Amanda Lyn
dc.contributor.committeememberSterzuk, Andrea
dc.contributor.committeememberMiller, Marilyn
dc.contributor.committeememberHampton, Mary
dc.contributor.externalexaminerDalley, Phyllis
dc.date.accessioned2017-06-19T22:24:10Z
dc.date.available2017-06-19T22:24:10Z
dc.date.issued2016-11
dc.descriptionA Thesis Submitted to the Faculty of Graduate Studies and Research In Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in Education University of Regina. xviii, 283 p.en_US
dc.description.abstractWritten from the perspective of a white-settler, obese, bisexual, middle class cisfemale graduate student in Canada, the wedding ritual and bride are explored as sites of ideal female/feminine formation of the subject. Compulsory heterosexuality is implicated. “Single” and “married,” like “woman,” are constituted in discourses. The author explores ways that she, as an unmarried and therefore “single” woman has been positioned as personally deficient as single-ness is produced as an illegitimate and undesirable position for female/feminine subjects to take up. This research uses an autoethnographic methodological frame augmented by feminist poststructural epistemology to open up, trouble, disrupt and interrupt the figuring of the bride in hopes of (re)signification and new practices of the female and feminine self for the writer. The writer privileges story in the forms of narrative, poetry, theatrical vignette and photography; theoretical literature provides context and a methodological framework and adds a supplemental layer of analysis. The story is told from various temporal positions including past, present, and future, blurring the idea of chronological age. Practices of self and the limits of agency and resistance to dominant discourses are explored. Many accounts of a feminist self-wedding are presented to illustrate the opportunities for resistance, disruption and deconstruction of sociohistoric subjects and discourse, in this case, the heterosexual bride.en_US
dc.description.authorstatusStudenten
dc.description.peerreviewyesen
dc.description.uriA Thesis Submitted to the Faculty of Graduate Studies and Research In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy *, University of Regina. *, * p.en
dc.identifier.tcnumberTC-SRU-7681
dc.identifier.thesisurlhttp://ourspace.uregina.ca/bitstream/handle/10294/7681/Baldwin_Amanda_200298824_PHD_EDUC_Spring2017.pdf
dc.identifier.urihttps://hdl.handle.net/10294/7681
dc.language.isoenen_US
dc.publisherFaculty of Graduate Studies and Research, University of Reginaen_US
dc.titleSelf-Storying to (De)Construct Compulsory Heterosexuality: A Feminist Poststructural Autoethnography of a Self-Wedding Ritualen_US
dc.typeThesisen
thesis.degree.departmentFaculty of Educationen_US
thesis.degree.disciplineEducationen_US
thesis.degree.grantorUniversity of Reginaen
thesis.degree.levelDoctoralen
thesis.degree.nameDoctor of Philosophy (PhD)en_US
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